From here on, the film picks up pace and punch. Genelia could have so easily overdone herself, but like Jayasudha in Dasari Narayana Rao’s Sivaranjani, she uses admirable restraint. This scene is vintage Krishna Vamsi – minimum histrionics for maximum impact. A little into the second half she slips into a drunken banter and lays threadbare the hypocritical attitude of men and their inability to comprehend what a woman truly wants. What is Good : Genelia - she is coming into her own as an actress. Imtiaz Ali trusted Kareena more than Krishna Vamsi trusted Genelia. So why does me think that this is a 4-week run as against a 100-day run that jab we met was? The answer in one word is: faith. And if this film is any indication, Genelia can hold her own against Kareena’s histrionics. Krishna Vamsi in my book is a better director than Imtiaz Ali. I for one thought, Sasirekhap Parinayam would even be better than that.
To cut a long story short, they end up marrying each other and live happily ever after. When the groom’s father Parachuri Gopalakrishna demands the entire dowry before the wedding, Sasirekha finds his attitude repulsive and runs away from home. It is about Sasirekha (Genelia) being summoned by her father for an overnight wedding to a NRI. And after nearly 2 ½ hours one can’t help but feel a sense of disappointment. As the titles roll out for Sasirekhpa Parinayam with that immortal “Ahana Pellanta” song from Maya Bazaar one can’t help but feel a sense of nostalgia. The director, after Khadgam, is somehow unable to find the right emotive mix for a blockbuster. Yet again Krishna Vamsi falters to deceive. Related Links: First day first show Videos Photos Starring : Tarun, Genelia, Ahuthi Prasad, Paruchuri Gopalakrishna, Sutthi Velu, MS Narayana, Ananth, Raghubabu, Subbha Raju.
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